(March 9, 2011)--Ana Fernandez subtly, but surely captures a bit of the old masters into her contemporary work. Fernandez creates a hybrid of South Texas culture and surrealism. The artist recently showed a series of oil paintings at the Joan Grona Gallery in the Blue Star Arts Complex.
Fernandez' eerie mood is inspired by Goya, but the artist's methods for rendering a mysterious sensation are her own. Fernandez uses a great amount of contrast, greatly appealing to one's curiosity. Several paintings show houses decorated for festivities, but there is no one there to celebrate, a house is painted in a cheery palate, but just above it ominous birds are rising toward the sad sky. Along with using juxtaposition, the artist's technique is crucial to creating a theatrical tone.
There are more than enough clues to start a narrative, such as a clock in an odd place by the door, a crime scene ribbon across a harmless looking home, a window where there is a picture of a ship on a stormy sea. A puzzling, yet incomplete, storyline is part of the works magnetism. The effects seem effortless, but without the sensitive attention to detail the somber mood of the work is compromised.
The work's atmosphere is reminiscent of surrealist de Chirico. Both painters capture a sense of loneliness, a desolate setting. The lack of figures or people in Fernandez' paintings makes one wonder where everyone has gone off to. What has happened to make everyone disappear? When asking the artist why there are no people she replied that she "did not want them to become the focus of the paintings."
The decision to leave people out has a strong effect on a spectator, the result being a fervent feeling of the enigmatic and wanting to investigate more. Whether it is the lack of people or a highly individualized landscape, there is an air of something missing. While the yards are sprinkled with remnants of inhabitants there is an inescapable feeling of absence.
Yet Fernandez' series does not invoke a sense of impending doom per se; the work is not so much dark as it is cast in shadows. Yes, there is a chord of slight melancholy, but not without a definite note of humor and playfulness. Christmas lights hang from the houses, but it's the wrong season; Spurs posters are up, and two dogs attempt to part ways after a brief "romantic" encounter.
Fernandez has taken elements of romanticism and surrealism incorporating them against the setting of South Texas, bringing out a side of the city where the ghosts are apt to dwell playfully. These paintings promise something new with every visit. The work charms you, draws you in and allures you, all the while never revealing its secrets.
The recent show of works by Ana Fernandez at the Joan Grona Gallery was curated by Arturo Almeida, archivist of the UTSA Art Collection.
Join the Center for Military Families for a panel on Politics in the Service of Military Families, featuring Cedric Leighton, David Splitter, Steve Huerta, and the Office of Congressman Henry Cuellar. The event is free and open to the public.
Buena Vista Street Building, Aula Canaria Lecture Hall (BVB 1.328), Downtown Campus
UTSA Dance classes will take the stage and share their talents and passion for dance! Come support our growing dance program! $10 admission
Buena Vista Street Building Theater (BVB 1.326), Downtown Campus
This panel presentation will look at the history of the YWCA and the impact the organization has had on women in the San Antonio community.
McKinney Humanities Building (MH 2.02.10), Main Campus
The Demography Lecture Series continues with Dr. Barbara Bird of American University. Her topic focuses on Insights Into a Hard to Find Population: Latino Entrepreneurs in Metro Washington, D.C. Event is free and open to the public. Parking is available in the pay stall spaces of the Monterrey surface lot.
Monterrey Building (MNT 3.240), Downtown Campus
This video tells the story of four Latina lesbians who fought for exoneration after being wrongfully convicted of sexually assaulting two girls during the Satanic Panic witch-hunt era of the 1980s and 1990s.
North Paseo Building (NPB 1.114), Main Campus
Tejana/Indígena author Ire'ne Lara Ailva will read from her latest work and discuss her approach to reimagining Tejan@ myths.
Main Building (MB 2.404), Main Campus
Muralist Crystal Arias will discuss her current mural "Cultivate the Past to Prestige" at La India Herbs and themes she utilizes in her other works.
McKinney Humanities Building (MH 3.02.26), Main Campus
The UTSA Department of Modern Languages and Literatures is a co-sponsor of the CARTA 19th Annual Conference. The group meets annually to exchange educational programs, ideas, and techniques and to network with other teachers of Russian. Registration required.
DoubleTree by Hilton, Downtown San Antonio
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