By Nicole Chavez
Development Assistant, College of Architecture
(Oct. 17, 2012) -- The UTSA College of Architecture Fall Lecture Series will present "Petrochemical America" at 5:30 p.m., Wednesday, Oct. 17 in the Buena Vista Street Building Assembly Room (1.338) on the UTSA Downtown Campus. The lecture is based on a book of the same name and will be presented by author Kate Orff, assistant professor at Columbia University, and the founding principal of SCAPE, a landscape architecture and urban design studio based in Manhattan.
This semester, the College of Architecture lecture series focuses on research as it relates to the built environment, looking at the impact of both natural and man-made components on our surroundings. The series is free and open to the public.
"Petrochemical America"is a richly illustrated collaboration between Orff and photographer Richard Misrach that explores how oil and petrochemicals have transformed the physical form and social dynamics of the American landscape. The book focuses on the industrialized landscape of the Mississippi River Corridor that stretches from Baton Rouge to New Orleans, an area of intense chemical production that was dubbed "Cancer Alley" when unusually high reports of cancer and other diseases were discovered in the region.
Misrach's haunting photographs are combined with Orff's "Ecological Atlas," a series of visual narratives or "throughlines" that were developed through intensive research and mapping of data from the region. The result is a revealing study of the ways in which the petrochemical industry, now firmly entrenched in American culture, has permanently shaped our landscape.
"Today, we are starting to understand the consequences, at a local, regional, and global scale, of the age of the present regime of oil and petrochemicals," said Orff in her essay, "Petrochemical America: Toward a New Energy Landscape," published by the Huffington Post. "What remains to be collectively imagined is what a shift away from fossil fuels and towards renewable energy forms would mean in the future in terms of generating a new American landscape aesthetic of promise and productivity," she said.
Orff is part of Columbia's Graduate School of Architecture, Planning and Preservation, where she leads studios and seminars that integrate the earth sciences into the design curriculum. She also is a director of Columbia's Urban Landscape Lab, an inter-disciplinary applied research group dedicated to affecting positive social and ecological change in the joint built-natural environment. Orff belongs to a generation of landscape architects that value research highly, viewing it as an intrinsic component of all architectural design processes. Themes of sustainable development, biodiversity and community-based change permeate her work, and she is often recognized for her innovative and practical solutions.
In 2010, Orff participated in "Rising Currents: Projects for New York's Waterfront, an installation displayed by the Museum of Modern Art (MoMA) in New York. MoMA and P.S.1 Contemporary Art Center put together the architects-in-residence program to address one of the most urgent challenges facing the nation's largest city: sea-level rising resulting from global climate change. Five teams were asked to re-envision the coastlines around New York Harbor and to imagine new ways to occupy the harbor itself with adaptive "soft" infrastructures that are sympathetic to the needs of a sound ecology.
Orff led a team from SCAPE in creating "Oyster-Tecture," a simple, yet visionary idea to seed oysters in the notoriously dirty Gowanus Canal. Because a single oyster is capable of filtering up to 50 gallons of water a day, Orff's idea was to construct a "living reef" out of fuzzy rope that would support oyster and mussel growth, potentially cleaning millions of gallons of harbor water. A small pilot project utilizing Orff's idea is currently in the works.
Among other speaking engagements promoting the launch of "Petrochemical America," Orff and Misrach presented a joint lecture and book signing at the Museum of Modern Art last month. Orff also is co-editor of "Gateway: Visions for an Urban National Park," and her essays have appeared in The Great Leap Forward, Rising Currents, Waterfront Visions, Volume and other publications. She has won local and national design awards and was named an ELLE magazine "Planet Fixer," a Dwell magazine Design Leader, and one of H&G's 50 For the Future of Design. Her work has received two National ASLA awards and has appeared in the Museum of Modern Art, the HK/Shenzhen Biennale and other international exhibits.
For more information email Nicole Chavez.
UTSA College of Architecture Fall Lecture Series
Nov. 7 -- Eran Ben-Joseph speaking on "ReThinking a Lot: The Design and Culture of Parking," is co-sponsored by the UTSA Texas Sustainable Energy Research Institute.
Visit the Curtis Vaughan Observatory and see the wonders of the sky over San Antonio with experienced astronomers.
4th floor, Flawn Science Building, Main Campus
A fun and festive evening featuring Corridos from Texas and Northern Mexico sung by AZUL and a reading of new and classic works by Carmen Tafolla, the new State Poet Laureate.
Buena Vista Theater (1.326), Downtown Campus
Listening session will seek input on the places, events and special circumstances that should be considered in determining whether concealed handguns may be prohibited.
John Peace Library, Faculty Center Assembly Room (JPL 4.04.22), Main Campus
This summit is an opportunity to showcase and share the variety of community engagement activities of UTSA students, faculty, and staff. The summit is currently accepting proposals for poster presentations. The Call for Posters deadline is Friday, Sept. 11.
University Center Denman Room (2.01.28), Main Campus
The Mexican American Studies Program will host a screening of this irreverent, entertaining and often disturbing tale that uses both fiction and documentary story telling devices to tear open a painful and long ignored history: the lynching of Mexican Americans in the southwest.
Buena Vista Building Aula Canaria (BV 1.328), Downtown Campus
Join President Ricardo Romo as he gives his address to the UTSA community.
H-E-B University Center Ballroom (UC 1.104), Main Campus
Graduate School representatives from across the country will provide information on options after earning a bachelor's degree. Students, alumni and community members are welcome.
University Center Retama Galleria, Main Campus
The day-long research conference will include a keynote address, faculty and student oral presentations, poster sessions, and an awards ceremony. Lunch will be provided for those who register. Abstract submission deadline is September 20, 2015. Event registration deadline is October 4, 2015.
H-E-B University Center, Main Campus
Kristen Rosen is developing technology to help breast cancer patients’ quality of life
As touch screens and e-books demand more and more attention from both casual readers and scholars, many people say the handwriting is on the wall for the printed page.
At UTSA, the handwriting is on the wall for a library that doesn't have any printed books.
Since March 2010, the bookless library in the Applied Engineering and Technology Building has given UTSA students an innovative way to read, research and work with each other to solve problems.
With ultra-modern furniture and a décor featuring desktop computers, scanners and LCD screens, the AET Library is designed to engage students in an online format. But it also offers group study niches and study rooms with whiteboards and glass walls on which students can write. The space encourages teamwork, communications and problem solving for the next generation of scientists and professional engineers.
Did you know? The UTSA AET Library is the nation's first completely bookless library on a college or university campus. It served as a model for Bexar County's first-in-the-nation public bookless library system and one of its branches, the Dr. Ricardo Romo BiblioTech.
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