Thursday, November 26, 2015


UTSA presents Oct. 17 lecture by Columbia University landscape architect


Kate Orff

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By Nicole Chavez
Development Assistant, College of Architecture

(Oct. 17, 2012) -- The UTSA College of Architecture Fall Lecture Series will present "Petrochemical America" at 5:30 p.m., Wednesday, Oct. 17 in the Buena Vista Street Building Assembly Room (1.338) on the UTSA Downtown Campus. The lecture is based on a book of the same name and will be presented by author Kate Orff, assistant professor at Columbia University, and the founding principal of SCAPE, a landscape architecture and urban design studio based in Manhattan.

This semester, the College of Architecture lecture series focuses on research as it relates to the built environment, looking at the impact of both natural and man-made components on our surroundings. The series is free and open to the public.

"Petrochemical America"is a richly illustrated collaboration between Orff and photographer Richard Misrach that explores how oil and petrochemicals have transformed the physical form and social dynamics of the American landscape. The book focuses on the industrialized landscape of the Mississippi River Corridor that stretches from Baton Rouge to New Orleans, an area of intense chemical production that was dubbed "Cancer Alley" when unusually high reports of cancer and other diseases were discovered in the region.

Misrach's haunting photographs are combined with Orff's "Ecological Atlas," a series of visual narratives or "throughlines" that were developed through intensive research and mapping of data from the region. The result is a revealing study of the ways in which the petrochemical industry, now firmly entrenched in American culture, has permanently shaped our landscape.

"Today, we are starting to understand the consequences, at a local, regional, and global scale, of the age of the present regime of oil and petrochemicals," said Orff in her essay, "Petrochemical America: Toward a New Energy Landscape," published by the Huffington Post. "What remains to be collectively imagined is what a shift away from fossil fuels and towards renewable energy forms would mean in the future in terms of generating a new American landscape aesthetic of promise and productivity," she said.

Orff is part of Columbia's Graduate School of Architecture, Planning and Preservation, where she leads studios and seminars that integrate the earth sciences into the design curriculum. She also is a director of Columbia's Urban Landscape Lab, an inter-disciplinary applied research group dedicated to affecting positive social and ecological change in the joint built-natural environment. Orff belongs to a generation of landscape architects that value research highly, viewing it as an intrinsic component of all architectural design processes. Themes of sustainable development, biodiversity and community-based change permeate her work, and she is often recognized for her innovative and practical solutions.

In 2010, Orff participated in "Rising Currents: Projects for New York's Waterfront, an installation displayed by the Museum of Modern Art (MoMA) in New York. MoMA and P.S.1 Contemporary Art Center put together the architects-in-residence program to address one of the most urgent challenges facing the nation's largest city: sea-level rising resulting from global climate change. Five teams were asked to re-envision the coastlines around New York Harbor and to imagine new ways to occupy the harbor itself with adaptive "soft" infrastructures that are sympathetic to the needs of a sound ecology.

Orff led a team from SCAPE in creating "Oyster-Tecture," a simple, yet visionary idea to seed oysters in the notoriously dirty Gowanus Canal. Because a single oyster is capable of filtering up to 50 gallons of water a day, Orff's idea was to construct a "living reef" out of fuzzy rope that would support oyster and mussel growth, potentially cleaning millions of gallons of harbor water. A small pilot project utilizing Orff's idea is currently in the works.

Among other speaking engagements promoting the launch of "Petrochemical America," Orff and Misrach presented a joint lecture and book signing at the Museum of Modern Art last month. Orff also is co-editor of "Gateway: Visions for an Urban National Park," and her essays have appeared in The Great Leap Forward, Rising Currents, Waterfront Visions, Volume and other publications. She has won local and national design awards and was named an ELLE magazine "Planet Fixer," a Dwell magazine Design Leader, and one of H&G's 50 For the Future of Design. Her work has received two National ASLA awards and has appeared in the Museum of Modern Art, the HK/Shenzhen Biennale and other international exhibits.


For more information email Nicole Chavez.


UTSA College of Architecture Fall Lecture Series

Nov. 7 -- Eran Ben-Joseph speaking on "ReThinking a Lot: The Design and Culture of Parking," is co-sponsored by the UTSA Texas Sustainable Energy Research Institute.



Dec. 1, 9 a.m.

CITE Venture Competition & Exposition

The annual Center for Innovation, Technology and Entrepreneurship (CITE) 100K Venture Competition and Exposition will be held on the Main Campus on Dec. 1. Twenty-eight teams from across the university will exhibit their project; six teams will compete for a prize pool of more than $100,000 in funding to launch their new venture / company. More than 650 students have participated in launching new technology ventures.
Biotechnology, Sciences and Engineering (BSE 2.102), Main Campus

Dec. 3, 5:30 p.m.

UTSA Downtown String Project Winter Concert

This concert features 50 community children performing music in the UTSA Downtown String Project Winter Concert. The children, led by UTSA music students studying to be music teachers, will join together in playing the Theme from Batman at their concert. The Batman of San Antonio, a local celebrity figure, will make an appearance at the concert. This event is free.
Buena Vista Theatre, Downtown Campus

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As touch screens and e-books demand more and more attention from both casual readers and scholars, many people say the handwriting is on the wall for the printed page.

At UTSA, the handwriting is on the wall for a library that doesn't have any printed books.

Since March 2010, the bookless library in the Applied Engineering and Technology Building has given UTSA students an innovative way to read, research and work with each other to solve problems.

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Did you know? The UTSA AET Library is the nation's first completely bookless library on a college or university campus. It served as a model for Bexar County's first-in-the-nation public bookless library system and one of its branches, the Dr. Ricardo Romo BiblioTech.

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